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Alessi Happy Eternity La Roccia

Discription

Alessi has a history in creating beautiful christmas objects. They have launched several of series of glass baubles over the years, as well as christmas figures, representing the holy family and friends. A lot of them become collector’s items over the years. Alessi produces them only for a limited period.

Ontwerper: Marcello Jori

Marcello Jori was born in Merano on December 12, 1951. He currently resides and works in Bologna. After earning his degree from DAMS (Drama, Art, and Music Studies, Bologna), Jori began his career as an artist in 1977, quickly exhibiting in galleries and museums both domestically and internationally. In the mid-1970s, Jori took his initial tentative steps into certain conceptual currents.

Alessi Happy Eternity La Roccia

29,00

Availability: 15 in stock

Information

Alessi Happy Eternity La Roccia is a small rock formation designed for displaying other Christmas figures from Alessi’s Happy Eternity series. Made of hand-painted porcelain, it is part of the larger Happy Eternity Baby collection. Created by Italian artists Massimo Giacon and Marcello Jori, who also designed Alessi’s smaller Christmas series.

Alessi has a history in creating beautiful christmas objects. They have launched several of series of glass baubles over the years, as well as christmas figures, representing the holy family and friends. A lot of them become collector’s items over the years. Alessi produces them only for a limited period.

Weight 0,124 kg
Dimensions 13 × 11 × 6 cm
Color

White / Wit

Material

Porcelain / Porselein

Brand

Series

Product Code

AGJ01 8

Specifications

Weight 0,124 kg
Dimensions 13 × 11 × 6 cm
Color

White / Wit

Material

Porcelain / Porselein

Brand

Series

Ontwerper: Marcello Jori

Marcello Jori was born in Merano on December 12, 1951. He currently resides and works in Bologna. After earning his degree from DAMS (Drama, Art, and Music Studies, Bologna), Jori began his career as an artist in 1977, quickly exhibiting in galleries and museums both domestically and internationally. In the mid-1970s, Jori took his initial tentative steps into certain conceptual currents.

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