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Alessi Happy Eternity Nativity Set

Discription

Alessi has a history in creating beautiful christmas objects. They have launched several of series of glass baubles over the years, as well as christmas figures, representing the holy family and friends. A lot of them become collector’s items over the years. Alessi produces them only for a limited period.

Ontwerper: Marcello Jori

Marcello Jori was born in Merano on December 12, 1951. He currently resides and works in Bologna. After earning his degree from DAMS (Drama, Art, and Music Studies, Bologna), Jori began his career as an artist in 1977, quickly exhibiting in galleries and museums both domestically and internationally. In the mid-1970s, Jori took his initial tentative steps into certain conceptual currents.

Alessi Happy Eternity Nativity Set

119,00

Information

Alessi Happy Eternity Nativity Set includes the stable, Joseph, Mary, Jesus, an ox, and a donkey, all crafted in hand-painted porcelain. The stable features a slot on top to hold either a Christmas star or angel. Part of Alessi’s *Happy Eternity Baby* collection, it’s designed by Italian artists Massimo Giacon and Marcello Jori, creators of the smaller Christmas series.

Alessi has a history in creating beautiful christmas objects. They have launched several of series of glass baubles over the years, as well as christmas figures, representing the holy family and friends. A lot of them become collector’s items over the years. Alessi produces them only for a limited period.

Weight 2,575 kg
Dimensions 27 × 14 × 20 cm
Color

Multi

Material

Porcelain / Porselein

Brand

Series

Product Code

AGJ01 W

Specifications

Weight 2,575 kg
Dimensions 27 × 14 × 20 cm
Color

Multi

Material

Porcelain / Porselein

Brand

Series

Ontwerper: Marcello Jori

Marcello Jori was born in Merano on December 12, 1951. He currently resides and works in Bologna. After earning his degree from DAMS (Drama, Art, and Music Studies, Bologna), Jori began his career as an artist in 1977, quickly exhibiting in galleries and museums both domestically and internationally. In the mid-1970s, Jori took his initial tentative steps into certain conceptual currents.

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